ARHOOLIE FOUNDATION COLLECTIONS:Chris Strachwitz Interviews
In 2015 The Arhoolie Foundation received a grant from the Grammy Foundation to digitize and put online the interviews that Chris Strachwitz recorded with musicians and friends over the past 50 years. He recorded these to capture the personal history of many of the musicians he recorded for his Arhoolie Records label and also for his long running radio show on on KPFA-FM (Berkeley, CA) during the 1970’s and 1980’s. You can listen to the following interviews and many have transcripts as well.
John Delafose Interview – Zydeco
John Delafose and his band, the Eunice Playboys, represent both a return to old time zydeco as well as a unique modern sound. He plays the old time button accordion in a staccato style that emphasizes syncopated rhythm over melody; at the same time he plays the more melodic modern soul/blues sound often on the piano accordion.
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Smiley Winters Interview
Smiley Winters talks with Chris Strachwitz about his life as a jazz drummer. “I just studied. For awhile, I did to advance my studies. But after a while I did nothing but to learn theory and everything. And then I got a group, a bebop group in 1948 and we made the downbeat Ralph Gleason wrote about us.”
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Joe Pullum Interview
Blues singer Joe Pullum talks with Chris Strachwitz about the music scene in Houston, TX in the 1930’s and later in Los Angeles.
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Canray Fontenot Interview
Canray Fontenot was a legendary Creole french fiddle player. “…We played for white people…I still think about that…You go play dances, you could get in the front, or anywhere. The next day you wanted to buy a drink, you had to go in the back, if you was Black.”
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Wallace “Cheese” Read Interview – Cajun
You probably won’t see Cheese Read at the local dance halls around Eunice because he is not a professional musician. He prefers to play music at home or at parties with a few friends. But a more powerful singer or a more precise, knowledgeable fiddle player couldn’t be found in Southwest Louisiana.
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Chuck Guillory Interview – Cajun
“Since I was four, five years old I liked music. I’d rather play music than eat.”….“George Jones, I’m the one who put him where he’s at…That man was poor. He begged me to play. I didn’t need him, I had a 7 piece band. I hired him anyway…five dollars a night…After the dance he would just sleep on the table ‘til daybreak and get a ride back to Beaumont.” – Chuck Guillory
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Frank Louis Fouce Interview
In this fascinating interview Mr. Fouce gives a real insiders look at the Spanish language music business in Los Angeles, going back to the 1930’s, He talks about bringing entertainers to his theaters, and especially about Lydia Mendoza and her family.
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Harry Choates Interview – Cajun
Harry Choates was a complete musician and entertainer. All of his life he ate, drank, and slept music. It is sometimes difficult to unravel the facts and myths surrounding the life and times of the man who immortalized Jole Blon, a song many Cajuns claim as their national anthem.
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DL Menard Interview
The late Cajun musician D.L. Menard’s biggest hit was “La Porte En Arrière” (“The Back Door”) which he wrote. He was often called “the Cajun Hank Williams”. In this interview from around 1988, Chris Strachwitz, Maureen Gosling, and Les Blank talk to D.L. about his first guitar, Cajun music, meeting Hank Williams, world travel, song writing, and making chairs.
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Earl Hooker Interview
“First I used to be a bad, bad, boy, run around with street gangs. After I got to playing music well all this here bad stuff got out of my mind and I got interested in playing music. My first guitar that I ever bought I bought from Sears and Roebuck. I paid a dollar down and fifty cent a week.”
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