ARHOOLIE FOUNDATION COLLECTIONS:Audio Interviews
Audio interviews by Chris Strachwitz during his research into the music he was recording for his label Arhoolie Records as well as for his radio programs on KPFA-FM (Berkeley, CA) in the 1960’s through 1980’s, and by Dr. Manuel Peña during his research for his several books on Mexican American music.
“Once you can see somebody play, I’ve always found this to be true, it illuminates the whole situation, how they hold the instrument, how they physically go about doing these things. Copying notes off a record is pointless. You got to know how they get themselves in a physical state and then things happen, they just seem to happen…Listen Here
“‘I just reach up and pull them out of the sky – call them sky songs- they just come to me.’ That’s how Bukka White described his music making. His performances were not polished, finished, slick tin pan alley songs but marvelous, on the spot creations – images and recollections as they come to the artist’s mind.”Listen Here
That’s his name, is Mance Lipscomb. That’s the first time we ever heard his name. And he told him exactly where he lived on the Washington road and gave us the address. And we went there and of course he wasn’t home. It was kind of in the middle of the afternoon or late afternoon by then.Listen Here
Bishop Ron Hall played a significant role in the formative years of several Detroit, Michigan steel guitarists and contributed to establishing the presence of the steel guitar at the House of God, Keith Dominion annual General Assembly in Nashville, Tennessee.Listen Here
Aubrey Ghent’s peers universally acknowledge him as a master of the six-string lap-steel guitar. This interview, recorded in November 1992, documented my first meeting with a musician who played in what would become known as the “sacred steel” tradition.Listen Here