Tag: Chris Strachwitz Collection

SPECIAL PROJECTS BY THE ARHOOLIE FOUNDATION

Piano Red Interview

“I started wandering about then, from town to town, after I found out I could make a buck playing. We would go from towns like… through South Carolina, North Carolina, and the lower parts of Georgia, all around. We would play, and the guys would be glad for musicians to come in town. They would give us what they could take in the door just for us to stop over and play…”

Don Santiago Jiménez Interview

Santiago Jiménez, Sr. learned to play accordion watching his father, Patricio Jiménez, who was the only accordion player Santiago recalls playing at dances around town in San Antonio, where he grew up. He talks to Chris Strachwitz about learning to play at age 10, and buying his first two-row accordion from a pawn shop in 1935. He would later become known for his consistent use of the two-row button accordion.

Nathan Beauregard Interview

Singer-guitarist Nathan Beauregard is one of the most interesting of the newly discovered veteran performers of blues and Negro folksong. The vigor and charm of his playing belie his advanced age (though he does not know his birthdate, he claims to be more than 100 years old!) and provide occasional glimpses of some of the oldest styles of music from the Deep South.

John Delafose Interview – Zydeco

John Delafose and his band, the Eunice Playboys, represent both a return to old time zydeco as well as a unique modern sound. He plays the old time button accordion in a staccato style that emphasizes syncopated rhythm over melody; at the same time he plays the more melodic modern soul/blues sound often on the piano accordion.

Smiley Winters Interview

Smiley Winters talks with Chris Strachwitz about his life as a jazz drummer. “I just studied. For awhile, I did to advance my studies. But after a while I did nothing but to learn theory and everything. And then I got a group, a bebop group in 1948 and we made the downbeat Ralph Gleason wrote about us.”

Joe Pullum Interview

Blues singer Joe Pullum talks with Chris Strachwitz about the music scene in Houston, TX in the 1930’s and later in Los Angeles.

Canray Fontenot Interview

Canray Fontenot was a legendary Creole french fiddle player. “…We played for white people…I still think about that…You go play dances, you could get in the front, or anywhere. The next day you wanted to buy a drink, you had to go in the back, if you was Black.”

Wallace “Cheese” Read Interview – Cajun

You probably won’t see Cheese Read at the local dance halls around Eunice because he is not a professional musician. He prefers to play music at home or at parties with a few friends. But a more powerful singer or a more precise, knowledgeable fiddle player couldn’t be found in Southwest Louisiana.

Chuck Guillory Interview – Cajun

“Since I was four, five years old I liked music. I’d rather play music than eat.”….“George Jones, I’m the one who put him where he’s at…That man was poor. He begged me to play. I didn’t need him, I had a 7 piece band. I hired him anyway…five dollars a night…After the dance he would just sleep on the table ‘til daybreak and get a ride back to Beaumont.” – Chuck Guillory