The Arhoolie Foundation
10341 San Pablo Avenue
El Cerrito, CA 94530 USA
E-mail: info @

The Arhoolie Foundation documents, preserves, presents, disseminates, and celebrates
regional roots music and its makers. By our activities we seek to broaden public awareness of
our diverse music history, support the vitality of living vernacular traditions, and help reinforce
the value and sustainability of community based cultures.

The Arhoolie Foundation was classified by the IRS as a public charitable and educational non-profit organization with a 501(c)(3) status, which means all your donations are fully tax deductible.

Although the Foundation shares its name with Arhoolie Productions Inc., a for-profit, it is not a successor to that Corporation. The Arhoolie Foundation does not control and is not controlled by the Arhoolie Corporation or any other organization.

The Arhoolie Foundation Board of Directors
Chris Strachwitz – President
Adam Machado – Executive Director
Larry Batiste
Bill Belmont
Tom Diamant
Miguel Govea
Mike Kappus
John Leopold
Laurie Lewis
Laura Littlefield
Davia Nelson
Suzy Thompson

The Arhoolie Foundation Advisory Board
T Bone Burnett
Bob Dylan
Michael Doucet
Billy Gibbons
Queen Ida Guillory
Neal Halfon
Steve Miller
Charlie Musselwhite
Bonnie Raitt
Linda Ronstadt
Ann Savoy
Joel Selvin
Nick Spitzer
Tom Waits
Elijah Wald


Assets of the Foundation
The primary asset owned by The Arhoolie Foundation at this time is the Chris Strachwitz Frontera Collection, probably the world’s largest and most comprehensive collection of commercially-issued phonograph records of Mexican-American and Mexican vernacular material.

The Frontera Collection consists of approximately 17,000 – 78 rpm discs (dating from c. 1906 to 1960), about 23,000 – 45 rpm discs (c. 1953 to 1995), and close to 4,000 – 33 rpm LP albums (1950s to 1990s). The Frontera Collection has been cataloged primarily with grants from the NEA and NARAS. Digitization of the 78 rpm discs has been completed with grants from the Los Tigres Del Norte Foundation via UCLA’s Chicano Studies Research Center, The National Endowment for the Humanities, The Grammy Foundation, The Edmund and Jeannik Littlefield Foundation, and the Fund For Folk Culture in order to preserve these fragile artifacts (many of them one-of-a-kind) and to make them accessible to scholars and the general public via the UCLA Library system.

Where does the name “Arhoolie” come from?
When Mack McCormick suggested ARWHOOLIE as the name for Chris Strachwitz’s fledgling record label in 1960, Chris’ initial response was, “AR-what?” The name comes from a word for a field holler, a song sung by laborers to accompany their work. The word, spelled as above by the recordist, appeared on a Library of Congress recording made in Mississippi and apparently was the response of the singer when asked what he called the selection just recorded. Chris says: “I have since heard the word ‘hoolie’ in reference to a field holler, but I think the ‘ar’ in front of it was simply the man stuttering a bit in Mississippi fashion when somewhat nervous!”

About This Website
This website was created and designed by Tom Diamant using WordPress and a bunch of very cool plugins.

The following people have helped and contributed.

Haley Ausserer

Adam Machado

Antonio Cuellar

Jonathan Schiele

and, of course, Chris Strachwitz who provides the inspiration and much of the material through his creativity and his passion to collect and preserve this music.